It might be that decade’s purest example of the form. But “Hey There Delilah,” the band’s one hit, is a total sensitive acoustic-guitar white-guy song. And Plain White T’s are a super-polished pop-punk band, not an acoustic-guitar situation. Daniel Powter plays piano, not guitar, though he’s still a sensitive white guy with an acoustic guitar at heart. Blunt served in the military, so he might not be that sensitive - though he did tell stories about playing his acoustic guitar while riding around on top of a tank, a truly insufferable image that might also represent a terrifying new mutation of the sensitive white guy with acoustic guitar type. Some caveats here: James Blunt wasn’t a one-hit wonder in his native UK, though he certainly was one here. That’s what happened with James Blunt, with Daniel Powter, and with Plain White T’s. But those sensitive white guys tended to be one-hit wonders, and their hits were goofy little cultural blips that could easily be dismissed as novelties. Bush administration, a few sensitive white guys with acoustic guitars made chart-topping hits. But something funny happened to that archetype in the ’00s. This century, sensitive white guys with acoustic guitars are no longer at the cultural vanguard. (Bob Dylan was the prototype for all those guys, but Dylan was never especially sensitive.) In the ’60s and ’70s, sensitive white guys with acoustic guitars became pop titans: Donovan, Paul Simon, James Taylor. The archetype has been around, at the very least, since the ’50s folk revival, though god knows it might’ve already been a cliché by then. Sensitive white guys have been picking up acoustic guitars for decades and decades. The sensitive white guy with the acoustic guitar will never, ever die. To pursue that dream, she moved to Conshohocken, Pa., where she trains full-time while working as an assistant track and cross-country coach at Bryn Mawr.In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present. A good but not great runner in high school and college, she gave the 3,000-meter steeplechase a try in 2006 and found that she was good enough in the grueling race to think about trying to make the Olympic team this year. A graduate of Columbia University, she had returned to her native Chicago to work. That was when Higgenson performed the song on TODAY and told Ann Curry the story of unrequited love that had inspired it.ĭiCrescenzo, meanwhile, remained all but anonymous. But it wasn’t until last summer that it broke out into the mainstream and began climbing the charts until it was the nation’s top single. Higgenson and his band played the song for years at club dates and concerts, and it became a favorite with their fans. “I had a boyfriend at the time, so I really didn’t believe him.” “I thought he was just being flirtatious and leading me along,” the 24-year-old athlete told Lauer and Vieira. Higgenson was smitten and even though she had a boyfriend, he told her he was going to write a song about her. It’s been a long chase both for her and for Tom Higgenson, lead singer for the Plain White T’s, who wrote the song five years ago after being introduced to DiCrescenzo by a friend.
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